| Support |  |       | 
| Saybolt, if you're using mics as signal sources, you 
won't get around using a mixer. As to the looper to choose, everything we heard 
suggests the soon-to-be-released (?) Electrix Repeater. The best time to add 
effects is normally after the looper, but if you're short on effects (most 
people are), it also makes sense to loop signals with effects already 
added. Depending on how many effects (and which looper) 
you're using, there are different "optimum solutions". Using the 
repeater (which offers four ins and four outs), I'd suggest (using three 
effectors): Microphones into small mixer (i.e. Mackie 1202 VLZ Pro), the Alt 3/4 
bus to the repeater (ins 1&2), the repeater outs 3&4 used with a 
stereo/twin mono effect (i.e. Ensoniq DP2), the outs 1&2 sent to the mixer, 
the other effects fed by the auxes (say, a vortex and another weird thing) and 
returned to the mixer, and the entire mix to the dj console. This way, you can 
connect four microphones (mixer channels 1-4), the repeater (stereo channel 
5/6), and the two effects (7/8 and 9/10). Any source (microphones and the 
effects fed by the auxes) can be looped, the loop can be processed by the DP2, 
and any audio source (including the loops) can be processed by the two other 
effects. And you still have one stereo channel available, so the DJ can send you 
his output, which you can in turn include in your sonic madness. Anything is 
sent to the repeater via the Mute/Alt buttons, and can still be present in your 
main outs or not (assignable). Of course, this works with other loopers too, I 
use a DL4 in a similair configuration with a larger console. Feel free to ask if 
you've got any questions left...             
Rainer Moinlabs GFX and Soundworks - www.moinlabs.de digital penis expert group - www.dpeg.de The MoinSound Archives - www.mp3.com/moinlabs |