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This is a wonderful discussion... > Rest assured fellow listers, I am trying to let this go before anyone feels > irritated or patronized. ... so long as we don't get irritated or feel patronized! > In reaction to the suggestion that *the world is not Black & White; rather, > it is Grays, Blacks and Whites*: I pointed out that the world IS made up of > Black and white; and gray is one of the results. To illustrate this I >said > something to the effect of, Gray, in itself, doesn't exist. Someone made the > excellent [if slightly sarcastic] analogy- - - *Aha, so Water [hydrogen and > oxygen] doesn't exist? Only hydrogen and oxygen*. > > Water would not exist were it not for either hydrogen or oxygen. Oxygen >is > not dependent on either one for it's existence. Nor is hydrogen. I think this analogy has out lived it's usefulness. I could point out that *white* doesn't exist. It's actually all colors and black is the absence of any colors. Then somebody might point out that that's true only for light and not pigments. And somebody else might say, "But we left out ultraviolet and infrared!" and did I hear somebody yell, "Quarks!" and before you know it, we're talking about modern physics (or chemistry) instead of music! (Does *deconstruction* always lead to science?? :) As a dangerous side-side-topic: Some languages have a small number of words for colors. I understand that the minimum number of color words is three. And they're not black/white/gray! Instead, they're black/white/red. The idea is that red represents blood, life, etc. Intriguing, eh? Besides, isn't all language a metaphor? And what does that make music? > I have three old churches near me, and about once a month, they will ring > their bells at the same time- quite by accident [a funeral, a wedding, an >. . . I really enjoyed this story! I'd have liked to see the "light go on" in the listener's eyes! > But did I compose this song? I think not. The notes were there, and you can > hear *Help Me Rhonda* if you want- - - but *creation* would involve me > choosing some of the timing or gongs. There would have had to have been SOME > *intention*. This is Not a definition of what a *music* is- it's a > definition of what *creating music* is. Like the Gray/Black/White thing; it > would be easy to think that I am saying that *Help Me Rhonda* doesn't exist. > . . . I see conventional composing as quite an intentional activity. I agree with you regarding, "But did I compose this song? I think not." I suppose that even Cageian (sp?) activities such as rolling dice to select parts for a performance is *intention*. After all, it IS a selection process. We might call the composer's judgement into question but not his/her intentional efforts. I like your distinction: "This is Not a definition of what a *music* is- it's a definition of what *creating music* is." But I'm not sure that all music is *created* in the sense of *composed*. In a nutshell, I'll say that I believe all *composed* music is intentional (or willful) but all music is not *composed* music. Dennis Leas ------------------- dennis@mdbs.com