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glenn wrote: "AMAZING!!!!! When you played the acoustics of the cafe after that mic went out!!! People were laughing strictly in wonder at how you'd turned that around and how great it sounded with the piece." and Tim asked: "I'd like to hear more about this! What happened Rick?" Actually, I had trouble earlier with my microphone going out but, in this instance, Michael and Steve started a beautiful melodic improvisation and I picked up my melodica and walked out of the room with it into the large, high ceilinged coffee shop which was adjacent (sp?) to the concert room at the San Jose Museum of Art. The reason I left was literally to quickly figure out what scale Michael and Steve were in. As soon as I had it figured out, I noticed that the room had a beautiful long natural reverb in it so I started playing my melodica solo very loudly in the outside room. The sound, amplified by the natural long reverb of the room drifted back in and I slowly strolled back in playing loudly and acoustically (because the basses were amplified). I had a kind of a parisian musette melancholy vibe going on and the juxtaposition of the unamplified melodica and the exquisite two fretless basses was very evocative. It was a really magical moment for me and the highlight, emotionally, of the whole tour. There were times with these brilliant musicians where I felt that I had died and gone to heaven. I'm very greatful to have had the chance to play with awesome talents of Steve Lawson, Michael Manring and Max Valentino and felt very sad that the tour was over today. The good news is that Si Moorhead and the folks at Imprint Audio are busily working on the tapes of the last three shows and Bob Cain is also working on editing his proprietary binaural recordings of all five shows. Everything that I've heard so far sounds fabulous and I can highly recommend your contacting these brilliant and service oriented folks if you folks have any mobile recording needs to be met. Just write me and I"ll connect you. thanks for asking Tim. Yours, Rick