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Gary Lehmann wrote: > > Hi all-- > Kim has encouraged me to share my remedial knowledge of the Echoplex with > the list, so here is an item I have had some success with-- > It uses the PMC-10, a MIDI controller, so it's not for everyone-- > I have configured one of the switches to double multiply on string A and > double record on string B, so that it acts as a loop length set button with > the quantize on--that way, you can create a loop, do lots of odd things >to > it, and then create a new loop of any length using whatever material is left > in memory by holding the switch down for the length of the new loop. > Is this the sort of thing anybody else has done? > I will try to think of something else--'course I don't wanna give any > secrets away--;^| > Gary To which Claude Voit replied: **one of my main edp page/bank on the pmc10 is **top row Feedback : 0 32 64 96 127 **botom row volume : 0 60 80 100 ** **The 100 value is not the max because I want to keep some volume on the **side in case of volume mismatch **the whole range is taken care by my peavey pc1600X wich is EDP friendly **(but not a footcontroler) ** **the feedback in steps allows me to, while not playin, enter overdub and **at some musical point **hit a lower feedback value and begin playin new material that will take **its place in the loop very easily when the loop is already crowded. Its **a good way to change subject. ** **The above values are to be adapted on your own system and music ** **If Sean http://sean_.home.mindspring.com/pmc/index.html once gives us **Cut copy and paste in his pmc10 PC editor (Raymond) we could exchange **patches and banks......... Interesting . . . So you can mix and match volumes and feedback levels! I have managed to create one bank (nine patches) which very nearly do everything I HAVE to have for the EDP. 3 of the 9 are combos of the two footpedals (used for volumes and feedback levels) set as such--simultaneous (one pedal controls volumes and feedback levels simultaneously), volume and fade (with the feedback {"fade"} set from 44-127 with negative polarity so that more volume=less feedback) and a third pedal combo with volume scaled from 0-99 (as opposed to 127) and feedback scaled 64-127. Since the PMC can send values from the pedals when patches are triggered this allows for a variety of combinations. Of course, this bank Claude has created shows how great it is to have a bank just for volumes and feedback levels. But it's a pain to search thru banks (or patches) for the right pedal. It's nice to use a sequencer for settings too, but I'm trying to scale back! Gary