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What is amazing I found is that the tempo of the loop changes (without pitch change) with changes to midi clock from my ER-1. With hardly any degradation to the sound... Using reverse, the change is instant, and after a moment of adjustment, the loop is locked, with the bar/beat counter going backward. The tempo shift is hardly a 'special feature': It is at the heart of this beast. > -----Original Message----- > From: Mark [mailto:sine@zerocrossing.net] > Sent: Friday, August 31, 2001 9:12 AM > To: Loopers-Delight@loopers-delight.com > Subject: Vintage CFC and Repeater first impressions > > > Hey boys and girls, > > Well, it finally happened. Last night I high tailed it over to > Banana's At > Large and picked up my Repeater. I must say that Rik my salesman was >VERY > knowledgeable about The repeater and looping in general. We had > a nice chat > about the Repeater vs. the Echoplex DP and agreed that none of > them would ever > stand up to what the Againinator will be once they open up stem > cell research so > R&D can continue. > > I zoomed home, had dinner with my hungry wife, and then finally > hooked up the > Repeater in my rig. Nothing fancy, just put it at the end of the > signal path. > > This fucker is SWEET. > > I did have an initial horror: I DIDN'T GET ONE OF THE VINTAGE > UPSIDEDOWN LABEL > CFC CARDS FOR THAT SPECIAL DT/SPLATTERCELL SOUND! The horror! > Don't assume the > card goes in with the label on the bottom. Mine did not. > Putting it in with > the label on top was VERY easy and obvious that it was the > correct way to do it. > > One of my MAIN tests of any new gear is whether or not I can > "make it go", on a > basic level, without reading the manual. Within moments, I had > synched an 8 bar > stereo loop to my Roland MC-307. I don't mind having to record a > blank loop so > that I get seamless ins and outs. I use that time to build an > intro anyway. > Before I knew it, I was playing the loop backwards and over > dubbing onto it, > then re-reversing it to hear my dubs backwards and my original > loop forward. I > would say that in terms of usability, that's way more than basic > operation. Who > ever designed the interface of this baby did their home work. > Even though they > were absent on the day they taught "wet/dry mix." <nelson> ha ha ></nelson> > > Well, I didn't have any time to dive deeper, as it was getting close to >my > bedtime, and I didn't have my studio setup they way I would truly > want it to > be. I can see it's going to take a while to find out the best > place for this in > the signal chain. One slight criticism is that you don't get > both 4 separate > outputs AND an effects loop. I knew that before hand and bought > it anyway. > Don't think software will fix that one. No matter, it's plenty > versatile, and > with an extra macie mixer, I think I shouldn't have any problem with >this. > > I love the marketing-glib-down-with-da-peeps manual, though my > eyeball sockets > are sore from excessive eye rolling. OUCH! > > OK, must head to work. Was it worth the wait? Sure was, but it > would have been > sweet to have this last November too. Damn, I should have had > this all my life! > > Mark >