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"Liebig, Steuart A." wrote: > > > > > yeah, yeah, all this classical stuff is way cool (i mean i liked elp's > "pictures at an exhibition" and i thought that it showed keith emerson > could really write some great classical music) . . . > > but how many people here are into the crue? > > ;-0 . . . ;-) > > stig > > (p.s. i know emerson didn't write it . . . s'a joke son!) > > > -----Original Message----- > From: lance glover [mailto:baumhaus@earthlink.net] > Sent: Wednesday, September 26, 2001 10:48 AM > To: Loopers-Delight@loopers-delight.com > Subject: Re: New Thread: "Classical" Music Influences on Us > > more grist for the mill, as it were: > > charles ives first sonata for piano & piano sonata no. 2 (1 > emerson, 2 > hawthorne, 3 the alcotts 4 thoreau) this stuff never fails to amaze. > the alcotts > especially- so beautiful/straightforward... > > charles ives calcium night light, three-page sonata for piano, songs > for voice > & piano > > george crumb voices of children, black angels, music for a summer > evening > > messien et exspecto resurrectionem mortuorum > > penderecki dies irae, de natura sonoris II, fluorescences, anklasis > > schnittke concerto grosso no. 1 > > carl nielsen any of the symphonies, but in particular no. 5 > > xenakis atre'es st/4 nomos alpha akrata poola ta dhina > st/10 > > berio sequenza III > > ligeti atmospheres > > conlon nancarrow anything, but in part. studies 3a, 3b, 3c, 3d, 3e > > varese ionization (of course), density 21.5, integrales, deserts > > > thanks to everyone else on this thread, i've got lots of new (and old) > things to > look for... > > lance g. > what's funny about that is that i had a misunderstanding with the high-school teacher who turned me on to ives (remember now this was back in the early seventies- i'm an OG). i actually DID think he was talking about keith emerson, not ralph waldo!!! this was soon clarified however, much to my chagrin... someone i fergot to mention in all this is harry partch. was (and is) a real inspiration & influence...and thanks for whomever mentioned darius milhaud (pron. mee-yo?)... also, for the mention of cage's 4' 33" (silent piece), i think this was tongue-in-cheek (do correct me if i'm wrong). i appreciate cage's writing immensely, but concur with a number of folk who've posted in the past about his compositional output being, shall we say, not uniformly impressive. i do have a soft spot for the gamelan/satie/etc.-influenced early prepared piano pieces; many of them are quite exquisite and imho hold their own against a majority of 20th cent. musical innovations... lance g.