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> > I just got a new Gibson EDP too, and the problem I have is that even > > with silence into the EDP (input disconnected), I get a hiss on the > > looped audio signal. Anybody else have this problem? > > I noticed this basic thing a week ago, while doing some dual EDP playing > with another user. It was most obvious when the dry/wet balance was all > the way to the right (i.e. set to "loop audio only".) It's only about half as loud with the mix 50/50 - go figure. > Here's the thing: My unit is a 1995 Oberheim model, and my friend's unit > is a Gibson edition which he got about two years ago. I only noticed it > because he happened to trigger an empty loop with his balance set to > loop only... and I've been using my EDP for six and a half years, > without ever having noticed it before. > > So my hunch is, it's a standard thing that's subtle enough to avoid > detection most of the time. If you like, I can bring my EDP up to > Loopstock, and you can compare the hiss factor therein... Now that I'm off work and back in the lab... There appear to be three components to the noise; one is a standard dirty-audio-type hiss, the second is a high-pitched whine, and the third is a sweep, kind of like a high-frequency test signal. The pitch of the whine changes each time I sample a loop, but is always high - like, for example, a computer fan noise - almost supersonic. It sounds a lot like an idling jet engine from inside the plane (but not as loud). In some loops, beat frequencies are present. Interestingly enough, when I feed the EDP's output back into the input, put on a short (.10s) loop, and hold overdub for 30 second or so, none of the components appear to get any louder. FWIW, before it died, my other, Oberheim-branded EDP (of unknown vintage) was pretty quiet - I never noticed any noise after Shane fixed the hum. > Lemme ask you this: do you notice any pronounced hiss when you fire up > an initial cycle with an audio signal running into the EDP? Moreso than > you recall previously? If I put in a signal at high enough level, it completely masks the noise. When it bothers me, is when I try to start a loop from silence instead of with the drum machines already running, and suddenly we're on the runway waiting to taxi. For somebody used to playing through a Twin Reverb, it's nothing; but it's loud enough to be annoying in this digital age, especially when the rest of my early-80's vintage analog e-Bay bargain rig is almost dead-quiet. I dunno, maybe the whining noise is just me. -Hans > > --Andre >