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I think that a 'performance' can become much more interesting, intimate, enveloping, and interactive when the audience can directly map visual gestures with the creation or manipulation of the sound. I have a depressingly underutilized Buchla Lightning II (http://buchla.com/lightning/index.html) that I'm planning on beginning to work with again soon to this end - hoping that air-drums/tibetan bells/etc. coupled with spacial CC controllers will prove engaging. Maybe I'll have my act together (pun intended) to play at Loopstock II next year <g>. stephen --- Richard Zvonar <zvonar@zvonar.com> wrote: > As for the > audience, it perceives the physical effort as the > cause and > manifestation of the musical tension of the > piece...Even if pushing a > button does not need a complex movement, like > hitting a key on the > piano it can be done in an expressive way. __________________________________________________ Do You Yahoo!? Try FREE Yahoo! Mail - the world's greatest free email! http://mail.yahoo.com/