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I wonder how much of the draw of large expensive studios, to record companies, comes from the fact that they are so expensive that what you get out is always bland enough to sell well? Kind of, you pay more, so it will be more crappy, but that's what we want. bIz ----- Original Message ----- From: "lance glover" <baumhaus@earthlink.net> To: <Loopers-Delight@loopers-delight.com> Sent: Tuesday, April 16, 2002 11:01 AM Subject: Re: OT Re: Tape Op Magazine Take 3 > Mark Sottilaro wrote: > > > Hey, > > > > On the other hand, as an ex recording engineer, I can tell you that, to > > quote my friend Cindy, "Money changes everything." If you've got the > > meter running at $200+ an hour and a record company breathing down your > > back, you're not going to be apt to try a lot of new wacky stuff. > > However, if you can own the gear (and you can own some amazing gear for > > not too much, in this day and age) and really learn how to use it, then > > you're on your way. > > > > Mark Sottilaro > > point. > > lance g. > > >