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> Mark Hamburg wrote: > > When the drum machines get turned on, > the audience stops paying attention. I think this brings out an interesting point about loop based performances, and performances in general. Stop paying attention to the music, or two what you're doing? Often when we play we show video, or work in conjunction with a video artist. Often I'll play an art opening. Basically, I don't want people to pay attention to me. If I did, I'd have some sort of Bowiesque stage show, but that's not my bag, man. I didn't even like Loopstock. I'm much sooner have people listen but not watch. I'm boring to watch. Come to think of it, all the performers at Loopstock were boring to watch. There, I said it. But not to me. Why? Because I'm interesting in the gear and how it's being used. I'm an educated consumer, so I can go, "Oh, I see Bill's using mutlitrack Repeater looping with it slowed down 50% ooooo interesting...." The average person in a cafe or club could care less. Band interaction is fun to watch, but most of us seem so busy nursing our gear, that gets clouded. Percussionists (Hi Jon, Rick!) are for sure more fun to watch, as they're at least animated. I played an Oracle Corporate event last month, and the main comment was, "Oooo what are you doing with that blue thing?" They were interested in the Alesis AirFX. Another person said, "Oh, we like acts like this. We usually have those other guys... with the virtual xylophone..." (Buchela Lightning played by Chris Hedges) Not, "wow, those guys music was great." Not, "Hey I like the fact that you can loop your guitar parts." They comment on the little motion they saw, or the very obvious new technology. So I say, don't be paid attention to. Have your music paid attention to... or not. Make an acoustic environment. Have your music be the star. That's what DJs do. I've never heard a DJ complain that they weren't being watched. Why are we? Mark Sottilaro