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Thanks Andre, this is a tremendous help. M. Steven Ginn ******************************** Please go to <www.SeptemberRising.org> Listen to the music. Purchase the CD Support the NY Firefighters 9/11 Relief Fund ******************************** > -----Original Message----- > From: Andre LaFosse [mailto:altruist@earthlink.net] > Sent: Thursday, July 11, 2002 2:14 PM > To: Loopers-Delight@loopers-delight.com > Subject: Re: Attn: Matthias; Learning How to use the EDP? > > > Jeez, I'm getting clumsy - that was a premature send. Um, take two: > > "M. Steven Ginn" wrote: > > > Sean I am fully aware that the EDP could be configured > ad-infinitum, I > > was only wondering if there were some guidelines somewhere that I > > might use to set up my EDP initially. > > http://www.altruistmusic.com/EDP/2001.html > http://www.altruistmusic.com/EDP/tg.html > > I specifically designed these pages to reflect different > applications for the Echoplex using certain combinations of > functions and parameter setttings. Certain types of > combinations are more effective for different types of approaches. > > Matthias also has an excellent EDP tutorial written: > > http://loopers-delight.com/tips/Plhints.html > > Lots of great technical and conceptual ideas, especially for > a newcomer looking for a way to get their feet wet. > > > As for the pre/post or the before EDP after EDP effects question, I > > have seen the posts how some have used one or the other, but not > > necessarily a great amount as to why you would want it one > way or the other. > > A few quick thoughts: > > (Potential) advantages to effects before the EDP: > > - Textural variety of sounds which occur within a single loop > > - Get more milage out of your effects by using different > effects/settings for each different overdub > > - Use effects to put each new element in a different > textural/frequency spot, so that the overall content of the > loop is less congested. > > Reasons to effect after the EDP: > > - Turn what would be a static EDP loop into an evolving > texture by tweaking it with processing > > - Turn the mono EDP into a stereo signal via pitch > modulation, delay, reverb, etc. > > - Effects like reverb, delay, etc. can decay longer than the > length of the loop > > - You're not stuck with the effect you used when you recorded > it into the EDP > > Vis a vis these ideas, putting mono effects (stomp boxes and > such) before the EDP, and stereo effects after the box, is a > nice approach... > > And after trying this, then you can read about why I stopped > using effects altogether: > http://www.altruistmusic.com/EDP/muso.html#effects Anyway, hope that helps for starters. --Andre LaFosse http://www.altruistmusic.com