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The endorsement angle is a fascinating and important one, and one that A and R departments get SO WRONG so much of the time - they go for maximum image exposure, but often lose out by having a) people with no sound (who really cares what bass Mr X plays from some death metal band where the bass is buried in the mix and he might as well be programming it?) b) people whose only interest in the product is their cheque at the end of the year for being an endorser, so if more money comes along they switch... as a result, there are some endorsers whose word means jack shit any more - in the bass world , Mark King has endorsed everything, and Chuck Rainey I hear was pretty close to signing a deal with the cleaners at the LA Convention Centre after nailing every other company at NAMM... :o) So for Gibson, getting behind someone like Andre would seem like a great idea because a) he's going to be a hell of a lot cheaper than Neil Schon to book for clinics. b) he probably knows a lot more about the product c) as his star ascends, his name will forever be linked with the product. When that happens it's a powerful symbiotic relationship - see Michael Manring and Zon Guitars, where they helped to elevate eachother's fame levels - he made their instruments sound Incredible, and they put him in their ads, giving more cred to what he did, and paid him for clinics, thus getting him out there playing... For my own career, I've been reliant on Ashdown clinics for getting me out to the US - they pay my flight, and a fee for the days when I'm doing their stuff, and the rest of the time I fill with gigs. I can't afford to just fly out and gig at the moment, but so long as that relationship stays together, I'm out there making cool noises with their amps, and answering questions about their stuff, getting to know what the company is all about... Putting a face and some sounds to a product is vital, methinks. So ads with Torn/Lafosse/Schon/Reitveld/me/whoever else in them for EDP? hell yeah! :o) Steve www.steve-lawson.co.uk