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99% of what I do begins with a MIDI clock. Either because I've got another musician looping with me, or another device that needs to stay in synch with what I'm doing. My frustration with the EDP manual was that I couldn't just find all the functions that dealt with MIDI synch in one section. I knew what I wanted to do, but the terminology wasn't the most clear, and the presentation of information very awkward. This is when I gave up on the manual to some degree, and went to Andre's site. His aural examples, coupled with an explanation of his parameters was all I needed to figure out how to set my EDP up to do what I want. Most of the time I keep the EDP like the first example on this link: http://www.altruistmusic.com/EDP/2001.html Marklar On Saturday, August 24, 2002, at 08:49 AM, Matthias Grob wrote: >> > I think the EDP comes off as being very non intuitive at first. >> After a >>> little exploration, with some help from Andre Lafosse's EDP pages, I >>> realize it's all about the set up. Once you've got it set up like >>> you >>> like it, it's pretty easy to use, IMO. Once you figure out what the >> > functions really do, the set up is not bad either. >> > > > I dont see any need to set it up, unless you start syncing. > Right out of the box you can use the basic functions and do what many > musicians do for decades, without need for anything more.