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I would say that Fripp was my first exposure to looping as well. At the time I considered it a technique, like slide guitar or two hand tapping. The technique informs the music. The technique shapes the musics form. Yeah, okay I think that works. On Sunday, October 13, 2002, at 08:59 PM, Matthias Grob wrote: > ...there are plenty of people like myself whose > introduction to looping came primarily via Fripp's work, so there's a > bit > of a tendency to think that looping as a serious improvisational form > began with _No Pussyfooting_ and the live application thereof with the > _Exposure_ "non-tour;" I've been guilty of this sort of thinking > myself. > Thanks to this list, I'm becoming more and more aware of the history > behind the art form all the time. >