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Aside from pure looping on the "tools of the trade," being a classical pianist (trying to be...), I practice little segments ||: over and over :|| There's joy in getting really deeply into repeating, learning/basking. Very meditative. David > two main forces direct most beings: > > SECURITY (Yang?) > We want to know what happens around us, we are tired to suffer with > fear, the sensation that keeps us awake. So we like that everything > is about the way it always was, continues just repeating... until we > get bored and listen to the other force: > > EVOLUTION (Yin?) > We are curious, we want the new, unknown, because there may be a > solution, an improvement, something to learn or enjoy. But there is > risk to it, and if progress become too quick, too many "heroes" are > sacrificed and we start looking for repetition again... > > My music includes both to the extreme: > - the repetitive background with no breaks, just pure relaxation > - the never returning solos and slow changes in the loop: guitar and > feet constantly search for innovation > > The spirit enters a relaxed state, there are no surprises to fear. > The mind has a line to follow and keeps busy and lets go off the > repeating thoughts. > > The loops open the heart in confidence for the messages for evolution. > > In the pre-loop times, the mixture had to be reached by alternating > between repeated and new parts? > > Why does most repetitive music have breaks in it? Does the listener > like those surprises, or does he especially like if it goes on the > same again after the break? > -- > > > ---> http://Matthias.Grob.org > >