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i have to agree with mr. monk here. a well-made 1/2" 30ips master kills a dat or cd-r. i have heard (but not 'heard') that 24bit/96khz comes really close, but that format is just being born. i backed up a lot of my 1/4" tapes when i first got a dat for convenience, but i still go back to my masters and my revox when i need to remaster something. archiving is essential - do it on the best format you can - but store those originals well, you'll be glad you did! bruce mr.monk wrote: > i think you may be missing the point here. if you mix to something > like 1/2" ampex 499. it will probably be in pretty good shape 30 years > from now. and though there are other advantages to digital, no one who > seriously listens thinks that a cd or a DAT sounds as good as a half > inch master. as the digital teechnology gets better, you can take the > half inch and make better digital recordings. DVD audio is a great > example. if everyone had mixed to dat or cd then when higher fidelity > reproducers became available, there would be no point in out. why > limit yourself forever to 16 bit /44.1 when someday the standard will > be much higher. i understand that not everyone has an ATR102 1/2 > machine in the studio (i'm very lucky...) but there is a reason that > when folks get enough cash together to make a modest priced record > that they don't mix to DAT... > > >