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Hello Ernesto, Jim, Mark, D.G., Everything in music goes by numbers: scales, harmonies, frequencies, beats and bars....The Tone Clock is nothing more than a visual aid in sharpening the awareness of meaningful harmonical structures, and as such it shows worlds of possibilities beyond the obligatory major and minor. The Tone Clock distinguishes itself from certain more personal compositorial systems in the sense that it is relevant for most existing music in twelve tone equal temperament. It's a pity the site shows quite limited information, there's more on internet but it's all in Dutch. The ninth hour (of the Tone Clock, yes) shows the intervals d-g and g-c: a triad composed of two fourths. In the twelve tone scale there's twelve unique triads, twelve 'hours', and the hours seem to show connections which cover patterns in lots of traditional and classical Western musics. I am not a composer, but I can imagine a composer's fascination in discovering a geometrical pattern underlying practically all Western music, containing more experimental links still to be tested! I have the same kind of fascination with sound content and frequencies. OK, you like a sound or you don't, no matter if you are familiar with acoustical theory, but if you want to control your sound production or create new sounds, it helps to know how sound is generated, and which are the fysical patterns governing sound production. Katja. Tone Clock link: www.xs4all.nl/~taede/toonklok/artikel/tonecl-e.htm