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Hi, I used to use my DL4 with my miced up flute (close clip-on omni condenser) and had such problems with build-up of noise from monitors and audience. There's a really critical level, over which FOH and monitors made it imposible to create loops with much subtlety and definition. I agree about gates and volume pedals, also monitor levels, position on stage also help. I now use my wind synth system and its wonderful not to wory about noise and feedback - that any "noise" that I create is deliberate and part of what I'm doing. Ian. At 07:15 19/01/03 , you wrote: >yes ii used to mic my looping set up. it was a nightmare! especially in >live >situations. gates help, you cant get around direct somehow. i have built a >nifty routing system that pulls up to 12 channels into my boomerang+. let >me >know if this interests you or anyone else. > >peace >jimmy george ><http://www.jimmygeorgearts.com/>http://www.jimmygeorgearts.com > > > >----- Original Message ----- >From: ernesto schnack <schnack@mailbolt.com> >To: <loopers-delight@loopers-delight.com> >Sent: Saturday, January 18, 2003 9:34 PM >Subject: looping with a mic > > >> I just had a bit of a revelation by looping for the first time with a >> mic, instead of plugging in my acoustic guitar. The result was great, >> esp. because it allowed me to easily use other instruments (including my >> voice). I was even thinking of using a stereo pair and recording parts >> from different positions to place them in the stereo field. >> >> However, the leaking of the monitored signal into the mic became a >> problem at one point, but i managed to keep it under control since i had >> the input muted in the repeater. Still, in a live situation this would >> be quite a problem. Anybody have experience doing this? Any suggestions >> on preventing leakage, noise gate on the mic maybe? >> -- >> ernesto schnack >> <http://schnack.does.it/>http://schnack.does.it >> >> -- >> <http://fastmail.fm/>http://fastmail.fm - A no graphics, no pop-ups >email service >> >> >