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Zoe Keating writes: >I've had this happen too (the sudden stereo track selection) and have >always >been mystified. It makes me feel a little better that others also suffer, >but it scares me that no amount of practicing can fix these "errors". If I >could learn more about what sequence leads to the errors, then maybe it >would be possible to practice avoidance instead. > >Heck, I can understand that a device as complex as this might have bugs. >But >I sure do wish it would fail more gracefully! > >Love it, hate it, love it, hate it, love it... If you can't make it do what you want every time with appropriate technique and practice, then it's a flawed instrument, like a clarinet reed that sometimes squeaks. A failure is acceptable for improvised or mostly improvised music -- for a scored work with multiple players, it's a disaster. I have to say that very few production instruments have these issues. I have a lot of synths and effects units and I don't ever remember them crashing in an unexplainable way. I've rarely been able to repeatably crash instruments or make them misbehave by throwing too much of quite the wrong sort of data to them or having too many oscillators doing too many things but it's always been something where you could work through and say "I'll send half as much information and see if that happens" or "I need to have at least 5 seconds between program changes". grr. that repeater. /t -- http://loopNY.com ......................An "open loop": shows every Saturday! http://extremeNY.com/calendar .................................. the calendar. http://extremeNY.com/submit .......................... submit to the calendar.