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At 10:14 PM +0100 4/27/03, Geoff Smith wrote: >>There are several loop-based sections in my theater piece "soul >>murder" (1982)." >I MUST LOOK AT YOUR WORK MORE CLOSELY!!!! Most of the looping in this piece was trivial, digital versions of tape loops, but there was one section that's kind of interesting. I was using a utility program, written by Gareth Loy, called "sfplay." This was external to the cmusic environment and was meant as a way to audition sound files and to find edit points. You could specify the beginning and end points of a segment, the sampling rate, and the number of playback repetitions. You could also specify a "nudge" value so that you could "walk" the playback window forward and back in time to find the edit point. I started using this technique as a sort of performance technique, moving the playback window through a sound file in incremental fashion. The result was a pulsating vocal burst that migrated slowly through a spoken phrase. >YOU ARE AS ALWAYS A FOUNTAIN OF KNOWLEDGE, HAVE YOU EVER THOUGHT OF >WRITING >A BOOK ON THE SUBJECT???? Can you recommend a publisher? -- ______________________________________________________________ Richard Zvonar, PhD (818) 788-2202 http://www.zvonar.com http://RZCybernetics.com