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Agreed. Live-Looping compared to simply looping audio is as different as composition and improvisation. And in a way defines why it sounds the way it does. Geoff on 28/5/03 7:34 pm, Matthias Grob at matthias@grob.org wrote: >> >> 1) Live looping and recorded looping are (only) as different as live vs. >> recorded music. >> Potentially definitions of looping need to deal, and possibly >distinguish >> between looping in live and recorded situations. Today, recording >> technology allows for musical elements to become repeated literally >with cut >> and paste simplicity. It's valid, it's cool. I love it. Isn't it >looping >> too? And if so, maybe it's good enough to just distinguish between >> "realtime" looping and "recorded" loops. My points 2 & 3 partially >> explains why. > > When I read this I get the impression that the difference is similar > to studio vs live act/recording of a band, where the live version > usually is a little less elaborated but in change has more of a > spontaneous punch. > > But what we should bring over to the public is the different feel of > live looping which has been often discribed here with "freedom" and > "flowing" and such. Its a different way to search for inspiration and > I find important that the public has a chance to observe it > happening, even on recordings (unless they are heavily > edited/overdubbed or totally composed) > > Also, "recorded looping" is not used as a label and it may not make > sense to create it here...