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> >I'm reminded of my struggles to get "accepted" as a downhill skiier while >still in high school. High School Teachers in roles like that of the ski >team tend to get allowed to turn their process into a clique, since it's >not >mainstream sports amongst other reasons; this was no different in >Ridgewood >High in the 70s, where the team was "run" by a "popular" Spanish teacher. >Despite having a great deal of control (as well as supreme joy!) in my own >technique, never having a crash, to say nothing of being clocked at over >70 >MPH a number of times, I was excluded from the ski team because it was >thought by this "expert" that I "had no skiing style". Go figure! well, you missed the moment to promote your style with a name and claming that it was faster than the existing ones! :-) > >After a life like that, performing music that happens to utilize a series >of >looping processes as a partial canvas - and therefore of course >uncatagorizable by the Hoi Polloi - seems in retrospect like nothing more >than a natural outgrowth for me. I don't care what >listeners/critics/record >companies call it so long as someone hears it, yes? I agree, but: In the distributors seminar at the Stockholm electronica it was said they dont work a product if there is not genre for it. How would they? -- ---> http://Matthias.Grob.org