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At 07:41 AM 7/16/2003 -0700, Relay wrote: >How many delay units in series (one into another, as it were) are you >folks >using? Mine's a slightly unconventional setup, but I know there are others on the list using similar architectures. I've got an automated effects matrix which allows me to change the order of the effects plugged into it. Some of the other guys using Switchblades or other patch bays have the same kind of flexibility. My signal chain starts with the computers & synthesizers (most of which have internal effects/delay) then is routed to any or all of the following: Electrix Repeater, Line 6 Echo Pro, Line 6 Filter Pro, and Boss VF-1 (also there's an Akai PEQ-7 graphic eq hardwired to certain key points). The signal then passes into my mixer, where there are two effects sends that route back into the matrix once again before returning. Also, the Repeater has a Korg Kaos Pad dedicated into its effect loop. So, I guess a chain using the theoretical maximum number of delays might look something like this: synth patch using internal echo --> VF-1 --> Echo Pro --> Repeater (using effect loop to --> Kaos Pad) --> mixer. That's not using the mixer/matrix to recurse the signal back through any of the units all over again, however. -c- _____ "i want to reach my hand into the dark and *feel* what reaches back" -recoil