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"William R. Walker," wrote: > Hello Per, At one time I had a Digitech IPS 33B, a rack mount harmony > proccessor that did everything from simple octave up and octave down, to > full on diatonic three part harmonies, to whammy effects, to deep space > station like ambient effects. Essentially, a beer budget Eventide > harmonizer. The model that came after that was DHP55 that allowed up to > five part harmonies, so you could do instrumental boy band > harmonies!(Yikes!) I agree with Stan that the whammy pedal is a good bet >if > you want something on the floor. Also, the boss octaver would be a worthy > candidate, much more worthy than Arnold Schwarzenegger (hardy har har > har!). And last but not least, if you can locate a used Boss VF1 half >rack > proccessor, that has some very useable pitch transposition functions, not > to mention a fairly convincing frettless bass model and a host of other > cool effects both conventional, (reverb, chorus, delay) and non- > conventional (VG8 style modeling,psuedo synth sounds, and ring >modulation). > Michael Manring turned me on to the VF1, the last time he played in Santa > Cruz, and I found one used on ebay for pretty cheap. The VF1 is a half >rack > 24 bit device with plenty of headroom, clean transparent sound, and a > dedicated hi-Z input on the front for guitar or bass. A very deep box. > Bill I use a Boss HR-2 Harmonist Pedal for my Pitch down stuff. I play a Yamaha FPX-300 acoustic guitar and I use the Harmonist Pedal to play bass lines with it. I was unhappy with the latency at first. Here is the trick for me to getting to to sounds better. 1. I use the EQ on the guitar. I turn down the treble and I boost the bass. 2. I also use the fleshy part of my thumb to pluck the line. (using a pick tended to make the latency more apparent) Doing this in combination with octave down pedal helps to make convincing bass lines. John www.johnmazzarella.com