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I think another point that Andre's analogy misses is that we're not really building instruments from scratch like one would a violin when we create a looper (or other processing chain) in Reaktor. Now, I don't know the program at all, but I've fooled around with Max, so I get the basic idea. It's much more akin to someone going out and buying a carbon graphite neck, basswood body, Kahler bridge and Spertzel tuners. When I was shopping for a Stratocaster, I did not like the standard $400 model that Fender was selling at the time, so I got a G&L Skyhawk instead. The tuners weren't as stable as I thought they could be so I put locking Spertzels on it. The pickup selector switch was in the wrong place for me, so I put a Starr switch in so I could get more combinations and not have a toggle switch in my hands way. Did I build an instrument? Not even close. Wouldn't try to. However, I did create a custom instrument for my specific needs, just as one could create a custom processor in Reakor. I think it's better to think of Reaktor like one would think of a modular synth, not like buildling a Stratocaster from scratch. Mark Sottilaro On Monday, August 25, 2003, at 04:31 PM, Per Boysen wrote: >> From: Andre LaFosse [mailto:altruist@earthlink.net] > >> Rick and dcoffin's comments make me want to put this thread >> into a slightky broader perspective... > > Nice post, Andre! Since I'm also myself a musician that loves the feel > of an old and well crafted instrument (or two of them, but not too many > ;-) I read your post with my smile broadening with the perspective ;-). > But to me you seem a little too biased towards holding the EDP, Max/MSP > and Reaktor as being only instruments.