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I agree whole heartedly with Steve. If the process (here, looping) becomes more interesting than the outcome (presumably here, music), then all the non-gearheads can nod-off or run to the bar or take a pee-break and hope the next person to hit the stage is more interesting than a bunch of blinking lights. David ----- Original Message ----- From: "Steve Lawson" <steve@steve-lawson.co.uk> <snip> > > 3) What are your pet peeves about looping shows? > > that the 'looping' part becomes more important than the music part. > > Looping can be a great tool for getting some press (as Rick has so > masterfully shown in Santa Cruz), but for the musician, if that takes over, > you're doomed. The root of it all has to be musical - if it's technical, > you're not going to find an audience beyond other people who do the same > thing. The general public ARE interested in how looping works, but not to > the point where they'll put up with shit music just to watch the button > pushing. Great tunes + clever technology x great performance = winning > combo.