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Hi Per,
If you have any links to this subjects i would
appreciate it i myself want to have a deeper
understanding of it
c yaŽ
L.a
> And for the patching stuff - like inserting effects,
> effect aux sends etc
> etc - you just have to get a book and read it once.
> It's very simple. It's
> also valuable to put some time into experimenting
> and experience the
> difference in, as an example, putting a reverb
> before or after a compressor
> in an effect chain.
>
> But working with electronics is really a lot more
> difficult than "mastering
> an instrument", being a musician. A flute is always
> a flute and even if you
> do not play especially well it may sound good in an
> ensemble situation, only
> because "it is a flute and this music is very nice
> on the flute". With
> electronics there are no rules. There is only the
> sound and that is what you
> and everybody hear. When I came into electronics,
> from a musician
> background, I found that electronics are in fact
> what I have been trying so
> hard (mostly failing) to achieve on different
> instruments: Creating sound
> that has a contextual meaning without falling into
> any tradition. Almost
> impossible as a traditional instrumentalist ;-)
>
> There are of course fashions and traditions even in
> electronic sound and its
> application in music making, but that's another
> story...
>
> Best wishes
>
> Per Boysen
> --
> www.boysen.se
> www.looproom.com
>
=====
www.luis-angulo.com
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