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Duncan, It actually has been posted here before, though not as eloquently as you just did. Perhaps because of that I never got around to trying it until just now. I found that I really have to watch the gain staging to find out where best to tweak the gain. I've got my 'Peater input patched through my 16 channel Mackie via sub outs 3 & 4. Any channel with 3 & 4 engaged gets sent to the 'Peater. 'Peater comes back into the Mackie on 2 input channels. After a bit of tweaking, it seems that the best place to control gain is on the sub out 3 & 4 faders. Alternately, I suppose I could do the same on the front panel input knob on the 'Peater, though I like to set it for "optimal" and leave it there. Then adjusting feedback to 50% or less and making the loop really short gives me a good handle on controlling the beast. When not in record, I have great control over exact interval tuning choice, down to the nearest cent. For example, try setting the transpose function to any one of a number of "just" intervals, like 2.31 or 2.67 (the ratios 8/7 and 7/6 respectively). Then I go "chasing" after the pitch rise with my ribbon controller (Kurzweil ExpressionMate)... fun! Thanks again Duncan for a clear exposition of this fantastic beast. Stephen __________________________________ Do you Yahoo!? Yahoo! Photos: High-quality 4x6 digital prints for 25¢ http://photos.yahoo.com/ph/print_splash