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Hi all, I'm a born again looper/sound experimentalist, been on the mailing list as a lurker for several months now and must say that I have learned quite a bit about the technical issues and material choices that confront artist such as us. Furthermore, I find the candid tone in debate concerning the philosophical issues that we face in making our aesthetic and operational choices to often be right on the mark and quite refreshing. Thank you all for being a part of this great resource. It is through your discussions and the website that I have come to own an EDP. Although, it is a wonderful machine I wish to upgrade the memory to much greater than the 192 seconds that they come from Gibson with. Have I overlooked something? Does anyone have any information concerning this matter? I also own a RC20 and find that, although it is a solid pedal, I would like to replace it with something a little more versatile. I have been looking into the Boss SP-606 and it seems to promise a lot. I like that it is polyphonic in its playback, that it pitch-shifts samples, has recording times of up to 60 mins at 44 khz, etc. I was wondering if anyone has had any experience with these machines and would vouch for them? I also would like to know if it works well in a sample on the fly live performance situation and whether it does sound on sound recording in a single bank? A lot of questions, I know. Thanks much GKE Aptrev@aol.com wrote: >In a message dated 9/14/04 1:26:02 PM, psychle62@yahoo.com writes: > ><< The thing I really hate about the RC20 is having to >hold the switch down for two full seconds to clear a >loop. That's a long time in a live looping situation. >> > >Why not simply turn the phrase select knob to a new slot? >Or better, if you don't mind another pedal cluttering things up you can >use a >pedal to switch the phrase slot thus avoiding stooping that spoils the >performer's heroic profile. > >BobC > > >www.cdbaby.com/rpcollier >http://trundlebox.iuma.com >http://tinyurl.com/yuru7 > > >