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Looper's Delight
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Hey Brian, I would greatly hear that, using ambiloop myself. There is a a new ambiloopradio group at Yahoo! Groups. It was created last week I think just to "hold" songs created with ambiloop. To learn more about the ambiloopradio group, please visit http://groups.yahoo.com/group/ambiloopradio Ben. > -----Message d'origine----- > De : Brian Kupferschmid [mailto:apparitionapparition@yahoo.com] > Envoye : mercredi 29 septembre 2004 6:39 > A : Loopers-Delight@loopers-delight.com > Objet : Re: Chords: played vs. built (was: mono ebow (was Eivind Aarset) > > > I've gone both ways with the single note/chordal > approach. I just recently finished a song that > involved about six tracks of single note playing that > when organised properly turned out a pretty wierd > arpeggiated chordal sequence. I used Ambiloop, along > with Acid to add the beats. I would start with track > one and play a note on the click of the metronome. > the second track was done the same way, but with a few > diferent notes, then, I reversed that part, and the > notes would fall in between those of the first track. > It sounded like an arpeggio, but at the same time, it > sounded like a reverse delay, because the attack was > backwards. I then made a drone tone on the open E > string(did I mention this was done on the guitar?), > and slowed it down to replicate the bass. Next, I > performed a melody in the similar fashion as the > chords, and it had about the same effect, but was > played in the higher registers. Then, I did a solo at > half speed, so when I turned it on normal, it didn't > sound much like a guitar. I then took all those parts > and put them into ACID and panned them and all kinds > of stuff, so even though you heard the signle lines as > chords, they were moving all over the place. I need > to upload this somewhere so you all can hear what I'm > talking about. Anyway, that's what I did for that > song, but I've also played full chord prograssions and > added embellishments on top of it as well, I used > didferent sounds and keep the guitars pretty clean so > they don't turn into mush. So I can work either way > on this one. > > Bri > --- "David J. Grossman" <dave@unpronounceable.com> > wrote: > > > > loop-clarity, we might approach the instrument as > > if > > > it were indeed monophonic, with the understanding > > that > > > the looping device(s) will provide the polyphony. > > I > > > know I do that quite a bit with guitar, layering > > > single notes, particularly as I start to build a > > loop. > > > > I do this all the time. I often layer 7 or more > > voices with my bass (well, > > 7-string bass, so more in the treble range) in > > addition to a bass line > > (which often has several voices of its own). The > > trick I use is to add the > > voices polyrhythmically and/or syncopated. It's a > > really cool effect. Also, > > I sometimes use my eBow to add keyboard-like swells > > where different voices > > enter and leave at various times. > > > > I'll try to post some audio clips of some of this > > looping stuff. There is > > some looping in these clips: > > http://www.unpronounceable.com/bargooma/audio/ > > it may be a little out there for you guys. It's > > mostly improvised. The > > musicians include Gene Jun from Idiot Flesh, John > > Axtell from Psychefunkapus > > and Jan Jackson from Motherbug. There is also > > another bassist on a couple > > tracks. > > > > - Dave > > > > http://www.unpronounceable.com/dave/ > > > > > > > > > _______________________________ > Do you Yahoo!? > Declare Yourself - Register online to vote today! > http://vote.yahoo.com > > _____________________________________________________________________ > Un mot doux ` envoyer? Une sortie cini ` organiser? Faites le en temps > riel avec MSN Messenger! C'est gratuit! http://ifrance.com/_reloc/m > _____________________________________________________________________ Un mot doux à envoyer? Une sortie ciné à organiser? Faites le en temps réel avec MSN Messenger! C'est gratuit! http://ifrance.com/_reloc/m