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I play as well and I have to say that a lot of what I hear on this is the sound of the instrument. There's a huge variety of types of 'harps out there. I think that it's a brilliant marriage of technique and technology - something (I think) to which we all aspire. I'm gonna get me some! Regards to all, Ben On 20 Oct, 2004, at 7:17 PM, Piers Gibbon wrote: > I'm a Jew's Harpist...I have enjoyed this guys music a lot and > wondered how he did it > > perhaps Kantos by Antares? > > Best > > Piers > -- > ================================================================== > Piers Gibbon > ------------------------------------------------------------------ > http://www.piersgibbon.com | piers@piersgibbon.com > ================================================================== > > On Oct 20, 2004, at 8:57 pm, Alan Kroeger wrote: > >> Hmm, maybe but at the same time a lot of what he is doing is humming >> while >> strumming and some processing. Some effects sound like something an >> Adrenalinn II could do (I should have kept mine :'( ) no real looping >> device or at least no analog sequencer sounds pretty creative either >> way. is >> Bob the thumb piano guy still around let's see what he thinks. >> >> -----Original Message----- >> From: Travis Hartnett [mailto:tiktok@sprintmail.com] >> Sent: Wednesday, October 20, 2004 3:22 PM >> To: Loopers-Delight@loopers-delight.com >> Subject: Psychedelic Jew's Harp: J. M. Nasim >> >> I think he's looping, despite his somewhat opaque musical description >> (sound >> samples on his "Listen" page): >> >> http://www.thepsychedelicjewsharp.com/about.html >> >> "I create this music live. No multi-tracking, no playback of >> pre-recorded >> material, no sampling. The raw signal of voice and Jew's Harp feeds >> into a >> portable bank of automated processors. Here, various programmatic, >> architectonic sound spaces frame rhythmic zones within which certain >> acoustic potentialities reside. These sonic holograms manifest my >> musical >> explorations as shape-shifted sound. Seminal acoustics are gestated >> into new >> aural forms to birth multi- dimensional soundscapes of >> interpenetrating >> pulses and harmonics." >> >> TravisH >> >> >> *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* >> >> The Official Travis Hartnett Website: >> http://www.travishartnett.com >> >> *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* >> > > ------------------------------------------------------------------------ ----------------------- Ben Grossman ben@macrophone.org http://www.macrophone.org http://www.posttraditional.ca