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On Dec 1, 2004, at 15:38, jj 179 wrote: >> Those are not the best examples admittedly. What got me interested in >> this >> originally were some of Brian Eno's treatments to things like Harold >> Budd >> tunes, where it sounded like the EQ of the delay varied with the >> volume of >> the piano attack. I too have found great inspiration in those recordings. Especially "The Pearl". Last week I researched Logic Pro 7 for that kind of treatments by using the Side Chain function that is now available for most effect plug-ins. You can do a lot in L7 but unfortunately it has some bugs in the real-time external midi control department, so it's out of my picture until a future upgrade will fix that. >> not truly *random*, and in fact no matter how >> complicated the "if-then-else" chain, That's interesting! I'm eagerly waiting for more of those options to get into the software Numerlogy. . On Dec 1, 2004, at 15:58, Rob wrote: > Take a look at TC electronic's Fireworx: > http://www.tcelectronic.com/FireworX Or the Eventide Eclipse. I have one here now until Dec 6 and it's really cool to map input level to different effect chains. Extremely well sounding unit. Greetings from Sweden Per Boysen --- http://www.looproom.com (international) http://www.boysen.se (Swedish site) http://www.cdbaby.com/perboysen