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If you are intending to re-use and/or master your material, I strongly suggest using uncompressed audio and not a mini-disc. the ATRAC encoding that's used in MD is very smart and careful to try to only remove information that's not audible -- but if you for example apply EQ to your track after encoding you might find some pretty dreadful artefacts. On 6/6/05, Art Simon <simart@gmail.com> wrote: > There are two compact flash recorders in the $500 range. They both > have built in mics as well as mic inputs (The Marantz has XLR mic > inputs), and offer wav and mp3 recording. While I haven't used them, > they would be what I would look at if I was replacing my minidisc > recorder: > Edirol R1: http://www.edirol.com/products/info/r1.html > Marantz PMD660: > >http://www.d-mpro.com/users/folder.asp?FolderID=3629&CatID=19&SubCatID=180 > > Minidisc still seems the most cost effective. > On 6/5/05, ken griffith <kengriffith@cox.net> wrote: > > > > Hi.. > > There have probably been posts here before regarding which types of > > portable/minidisc/like recorders are good for recording live shows, and > > other such things, But I was unable to find info in the archives...and >with > > today's (mp3/Ipod) technology, minidisc has already become practically > > extinct. So I was wondering what other new devices you might be using >or > > recommend to check out... > > > > Thx, kenardo > > > > > > > -- > Art Simon > simart@null.net > http://art.simon.tripod.com > http://artsimon.iuma.com > > -- /t http://ax.to ... extreme NY arts and music calendar