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Re: Defining "pro"


     When I saw Robert solo soundscaping last year, I had a good talk with 
John Sinks afterwards. 
Robert had left a loop going on his TC2290's and a few of us were sitting 
around listening to it
for 30 or so minutes afterwards.  I noticed a "wonkiness" as Travis so 
aptly puts it, around the
25 minute mark.  It got worse and worse as the loop went on.  John told me 
that this is a design
bug that TC never bothered to address.  This was one of the reasons that 
Robert was going to
purchase 2 or 4 EDP's.  He also mentioned one or two H8000's, man I wish I 
had that kind of cash
sitting around...

     It seems that Robert did purchase a few EDP's, though I don't know if 
they are in his current
rack.  Certainly the H8000's are.

     And on the "Pro" vs. "Semi-Pro" vs. "amateur" topic, Robert has been 
able to continually do
his music based on some wise real-estate investments many years ago.  This 
by definition takes him
out of the "Pro" category.  It's all just talk...

     Stephen


<<<Speaking of pro gear, as I recall the 2290's with the full sampling
memory had some bug where after a half hour or so, the loop would
begin to decay in some wonky manner, but with *marvelous* fidelity....>>>


                
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