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Paul, First, let me say that I'm excited to get back home so I can check out your tunes. I've long loved the hammered dulcimer and have played it a bit years ago. Wouldn't mind finding one again some day. Regarding performance venues, one of the reasons I have (for the time being) given up performing is due to the lack of suitable venues. As a performer, you've got to ask yourself what sort of performance is expected/desired. Are the audience there specifically to see/hear music? If so, great! Go ahead and challenge them. Presumably they're there to listen. If, on the other hand, they're there for some other reason and the music is incidental, then a more subdued/comfortable show is called for and you've got to play that role. Then, there are all of those occasions that fall in the grey area in between which are harder to balance. For me, there were too few venues available with a listening audience and supportive atmosphere. Good luck to you and welcome to the community. :) Todd On 10/27/05, paul <phaslem@wightman.ca> wrote: > Perhaps if you take a fairly obscure instrument like the hammered >dulcimer, > tie it to another fairly obscure performance technique like looping, you > certainly have something that's unique but maybe not accessible enough to > most listeners? But then, that is also a common thread here, I recall a >few > weeks back Kris having difficulty with venues that will let him explore >the > sounds that he's interested in. There's a question there that has > interested me for quite a few years. As an artist, do I provide >comfortable > entertainment, or do I challenge people to listen to new things.