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On 1/8/06, Kris Hartung <khartung@cableone.net> wrote: > > Are you saying that I don't get it? I play experimental music too and >have a > very open mind (heck, check out my Project MRI in the CT Collective). One > can get yet, yet still call bullshit on the significance or novelty of a > work. That's my subjective right as an artist and free thinker. You can have an open mind and still not get it! Point is -- I'll bet it sounds good. I like sustained organ tones. And I'll bet it makes you think. Contemplate how hard it would be to actually arrange for a piece to be played for 600 years -- the level of organization, of trust in the next geneation -- what it would sound like -- how relaxing it would be to be in the audience and know that the next note is not due for days or weeks -- to know that you are not required to come in at the start nor stay till the end. This is a piece that makes every other piece ever seem rushed. Hard to beat. /t