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I always sing what I play (or, more accurately, play what I sing) when I notice that my improvising is in danger of either becoming too technical or directionless. It always grounds me instantly. It's a great technique for any style of playing - or at least, any style of single-line playing (it's a little hard to hum chord changes, though I could see using vocalizations to help articulate the rhythms of chord hits)... Warren Sirota > -----Original Message----- > From: Kevin [mailto:kevin@TheNettles.com] > Sent: Thursday, February 02, 2006 11:00 PM > To: Loopers-Delight@loopers-delight.com > Subject: Re: Maybe why Avante-garde looping in US... > > > From: "loop.pool" <looppool@cruzio.com> > > fascinating concept. can you elaborate on that? > > is it a personal theory or have you read anything > specifically about that > subject? > > Singing the lines you play when you solo is common practice > among jazz musicians and has been for a long time. Zappa's > "little Italian virtuoso" Steve Vai uses the technique to > construct his solos. The scientific research is catching up > with this now. I've read a bunch of articles on the subject. > One person who's been doing research on the neurological > relationship between music and speech is Dr. Ingrid Johnsrude > over at McGill University. > > Cheers, > Kevin > Progressive and Exciting Celtic Music > www.TheNettles.com >