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Thanks for the report. I'm going to see if I can get tix to one of the NYC dates. Best wishes, Warren Sirota Come hear *The Sandbox* at The Monkey in NYC, April 23rd, 8PM - details at www.warrensirota.com/sandbox > -----Original Message----- > From: loop.pool [mailto:looppool@cruzio.com] > Sent: Sunday, April 16, 2006 5:41 AM > To: LOOPERS DELIGHT (posting) > Subject: Thomas Dolby: LIVE LOOPING > > > Wow, I just got from a very stimulating show, watching > Thomas Dolby hit > the > stage for the first time in 15 years (except for a short tune > up gig two > weeks ago in SF). > > Not only was it a wonderful show in a wonderful venue (The > Independent is > now hands down, > my favorite music venue in San Francisco after having seen > Elbow and now Mr. > Dolby there). > > What was very exciting is that every act on the bill used > live looping > techniques extensively. > > Genie (who had such a wonderfully creative show at Y2K5) > opened up and was > really well > recieved with his mixture of psychedelic delay drenched > guitar, human > beatboxing and > amazing manipulation of 2 DL4 Line > 6s...................sometimes while > multitasking with > playing slide guitar........while > beatboxing................while using his > fingers on one DL4 > in his lap and his toes with a 2nd one on the floor. > > The the excellent group LoopStation performed with, again, > Line 6 DL4s and > what looked > from my vantage point to be a Boss gigadelay. > > The group is a cellist and a singer and they were really > wonderful and > amazingly full spectrum > in their passionate pop songs. They were very, very well > recieved by the > crowd and I was lucky enough > that their cellist gave me one of their CDs to listen to , > which I can't > wait to put on my hard drive right away. > > I asked them to come play Y2K6 and he seemed interested so cross your > fingers. This was one of the more > interesting live looping acts that I've seen and both the > cellist and the > vocalist used liberal usage of looping > in the set. > > Dolby's set was just sublime replete with wonderful visuals. > He had > several cameras on his person and there were > frequent images from one of them in black and white on the > large screen. > The cameras were fish eye lens and it > was really cool to see him manipulate his gear on the big > screen. He also > had beautiful looped images > accompanying his songs...........including some very powerful > emotional > imagery of submaries, torpedoes and the ocean > during his song, "One of our Submarines". > > I'm not entirely sure of his setup except to say that I know > it's well > documented as of yesterday on his website and that > he was basically looping inside of LOGIC on a Mac. > > He seemed to have a nice blend of actually playing parts on > keyboards; > singing; looping occasional keyboard parts (which I realize > could have been > real time midi looping or an internally run VST live looping > pluging) and > then some obviously sequenced > parts. > > The canned-ness of it didn't bother me in the slightest > because he really > was multi-tasking and playing a lot. > He was in fine voice and my only complaint was that I wish > his show had been > longer than the slightly less than an hour that it was. > > His equipment failed him twice during the show but he was > very entertaining > and called attention to the fact.............Every time it > screwed up he > promised the crowd that he would throw t-shirts to the > audience and he did. > > At one point he dedicated a song to his wife (the reason he > moved to L.A. > apparently) and she just coincidentally happened to be > standing right next > to us. I was graciously taken to the show by Glenn > Javaheri and his > girlfriend who also gave me some video that he shot at the > 1st Bass Looping > Festival at the San Jose Museum of Art, years ago with Steve > Lawson and > Michael Manring. > > It was a wonderful concert and I felt so proud to be in this > community and > see how high profile some of what we do is getting. > This is the first 'normal' show I"ve seen where everyone on > the bill was > live looping extensively. >