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Thanks for your feedback. Let me address some of your questions below: > The segment from around the 5 minute mark to the 12 minute > mark really grabbed my attention, nice momentum with some > lovely delicate ornamentation. In the unedited recording, it took me about 15 minutes to decide what to do after I set up the initial loop, and was really delighted when after an eternity of musical standstill I came up first with the bassline, then with the drum groove. ;=) > I would suggest perhaps the use of a tad more percussion with > quirky motifs to thread thru a session, for instance, when > some of the ambientness needs a bit structure to gel - but > that is just my taste these days, not a deep observation. Then you're most likely not to like my live performances ;). I usually try to combine sections with a clearly defined rhythmic structure or pulse with completely odd-metered parts - just as in this recording. Having said that, I'll have to admit that I am not a percussionist by heart so would have a hard time to spontaneously improvise the fitting percussion to hold it all together > Pretty amazing sound quality given that I am listening to an > mp3 of a recording of something streamed in semi-realtime > over the cyber-aether. Actually, only the part Krispen played had been streamed over the net in this recording; this is what I recorded on my side, so my part is uncompressed PCM, Krispen's part is a 6kbps mono ogg/vorbis. > Did you both use headphones or studio monitors as you played? Can only speak for myself here; I used a pair of Dynaudio BM5As listening to the mains and a pair of headphones for the cue channel of Live. If you ask because of the audible metronome in the first part, take a look at my message regarding "metronome bleed" in the archives. Rainer