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On 27 Jul 2006 at 23:52, tEd ® kiLLiAn wrote: > It's a fun challenge to make someting "artful" > and "satifying" out of the haphazard glitches that human error > (especially my human error) induces and produces. Absolutely. I remember about 15 years ago I was recording a soundscape that seemed to be going well until my 3 year old daughter helped me by adding some "un-volumed" notes. Cursing fluently, I carried on to a conclusion. As I listened back, dreading the moment, it sounded perfectly in context and actually brought some life to the piece. I still have similar moments, especially when using the guitar synth. Many of my patches have a slow attack, so I don't need to juggle with the volume control, but there's also a bank of kotos, banjos & so forth. What a joyful moment when with a misplaced tap of the toe, a loud mini-moog bass note rings out over a contemplative section! As Ted says, the fun is then to "make it work". In many ways, looping is the perfect example of the motto "if you play a bum note, play it again and pretend it's jazz". All the best, Nick Robinson