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Kim, I understand the confusion. I was uncertain of how these would interact, too. The block diagram explains it pretty well, and if this list would allow images I would send it. Simply put, the audio path is arranged so that the output is fed back to the input -post fader-, so in any mode, record, overdub, the fader is active, while in "punch in" mode ( aka "replace" ) the feedback is obviously disabled. I still expect this to present a problem, since the feedback depends on the track levels, but so far it has not been an issue. -CZ >At 08:31 AM 7/27/2006, Charles Zwicky wrote: >>Separate feedback control over each track, you can simultaneously >>perform 'looping' and 'echoing' in the same performance simply by >>selecting the appropriate track. > >I was a little uncertain about the feedback controls when I had the >2880 demoed for me at NAMM. Is it correct that the same slider used >for controlling track feedback also controls the output level of the >track? And the feedback is only active during overdub and track >levels only active when not in overdub? So how does that work in >practice? It would seem to me that when switching overdub on and off >you would be switching back and forth between feedback and mix >levels for the tracks. > > > >kim > >______________________________________________________________________ >Kim Flint | Looper's Delight >kflint@loopers-delight.com | http://www.loopers-delight.com -- ... http://www.zmix.net