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Re: Joe Pass-like looping rendition of Autumn Leaves (on YouTube)






We have just about beat this one to death ... but here is my two cents ....

yeah, me too ... it's fun (though I'm mediocre at it at best) .....

Anyway ... for those of us that are interested in this sort of thing ... 
here is a great lesson online for walking bass line and chords ... breaks 
it 
down in a very simple and straightforward manner ....

http://www.youtube.com/watch?v=grK43Poye1U






>From: "Mark Smart" <mwsmart@insightbb.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Joe Pass-like looping rendition of Autumn Leaves (on YouTube)
>Date: Sat, 3 Feb 2007 20:52:47 -0600
>
>Wow, very cool clip...a man after my own heart! I was just jamming with a 
>friend
>at the music store on jazz tunes today and we played this tune.
>
>Okay, this is going to be a long post...
>
>I like to do the walking bass + chords thing and have been working on it 
>for
>many years. The guy in the clip is REALLY good at it, I'm impressed. BTW, 
>that
>guitar is the Ibanez Pat Metheny, great guitar.
>
>There are a lot of different approaches. Jack Grassel has a whole book 
>about it
>called "Big Ax". His approach uses a LOT of notes, playing the bass line 
>with
>the pick and then using three fingers to play all three-note chords above 
>the
>bass line.
>
>When I started working on this in about 1990, I first did everything with 
>the
>pick, and then switched to all fingers to make it easier to play the 
>chords 
>on
>offbeats, just like in the video. But I would almost always play 2 chord 
>hits
>per bar. Over the years I've gone to playing fewer and fewer chord hits, 
>because
>it's less awkward, and you don't really need them. Like a lot of the time 
>I'll
>only play a chord when the chord changes. It's a lot more important to 
>have 
>a
>good bass line that swings, so I don't restrict playing the bass notes to 
>just
>the thumb.
>
>I started out playing 4 and 5 note chords, but then reduced them to "shell
>voicings", which are chords with just root-3rd-7th or root-3rd-6th of the 
>chord.
>Then you can get good voice leading by letting the chord notes descend in 
>small
>steps while the bass line moves around. That sounds really nice. Like, 
>here's a
>tab for the beginning of a blues in Bb (look at this in Courier font if it
>doesn't look right):
>
>   Bb7         Eb7         Bb7         Fm7   Bb7    Eb7
>-----------------------------------------------------
>-----------------------------------------------------
>--7-----------6-----------7-----------8-----7------6-  etc
>--6-----------5-----------6-----------6-----6------5-
>-----5--8--7--6--------------5--6--7--8---------7--6-
>--6--------------3--4--5--6--------------7--6--------
>
>
>The bass line moves around but the chord tones are all on the middle 2 
>strings.
>The 3rd of one chord moves to the 7th of the next, and vice versa. This 
>shows
>the chord tones hitting at the same time as the bass, but you can 
>displace 
>them,
>like this:
>
>   Bb7               Eb7
>---------------------------------------
>---------------------------------------
>-----7------------------6--------------
>-----6------------------5--------------
>--------5---8---7---6------------------
>--6------------------------3---4---5---
>
>
>
>Bb7                  Fm7        Bb7         Eb7
>----------------------------------------------
>----------------------------------------------
>7----------------8------------7---------6----- etc
>6----------------6------------6---------5-----
>------5---6---7------8---------------7------6-
>6--------------------------7-----6------------
>
>On the last few chords, the chord tones come before the bass note, which 
>sounds
>pretty cool.
>
>Then I started adding TECHNOLOGY (shudder) to it, and got the hexaphonic
>Copeland pickup and the octave divider. There is a short clip on my page 
>here of
>me doing this kind comping on a "Bird Blues" with this setup:
>
>http://tinyurl.com/23ehcx
>
>Then I added a Boss Loop Station. Then another Loop Station to play back 
>drum
>loops. Then an Echoplex! Pretty soon I had this monstrosity:
>
>http://tinyurl.com/yonu6s
>
>What's weird is that I hardly ever use walking bass plus chords for 
>looping,
>because now I like to play block chord solos, and the chord tones in 
>Walking
>Bass + Chords get in the way when you try to solo like that. But I use it 
>when I
>am accompanying someone else playing a single note solo.
>
>Chapman Stick lends itself to this kind of comping even better than the 
>guitar
>does, so I've worked on that, too:
>
>http://www.marksmart.net/instruments/stick/BluesNoodling/noodling.html
>
>But I still mainly do it with the guitar since I'm much better at it on 
>guitar
>than Stick.
>
>Hope this helps, since I've been obsessing about this for a long time.
>
>Mark Smart
>http://www.marksmart.net/
>

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