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Looper's Delight
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One solution to this is to map the Pitch Wheel command (0xE0-0xEF) to volume.. the Pitch Wheel command is 14bits, 0-16383.. no new hardware needed.. of course there are only 16 of these per channel, but one should be able to work with that as well.. And, as well, the receiving device has to be able to work with this as well, so your milage may vary.. My reworking of the MIDI support in the LP1 supports this.. just tossing out ideas.. :) peace -cpr Quoting Stefan Tiedje <Stefan-Tiedje@addcom.de>: > GORDIUS info wrote: > > (if you intend to manipulate the linear footpedal range and make it a > > non-linear transition curve, I would believe you will get much better > > results just using a 7-bit to n-bit lookup table in firmware, rather >than > > doing it with some analog signal manipulation followed by 10-bit AD > > conversion). > > Thats exactly my finding regarding 7-bit Midi. My theory and knowledge > would always argue, that higher bits are better and they are, but my > major concern with Midi faders was, that they did not have enough > resolution in the lower end, the point where it gets almost inaudible. > By simply puting up a S-shaped curve to all my Midi faders, I have > practically nothing to complain anymore... > Sure 10-bit would be still nice, but I'd apply this curve always. > And I could live better with 7-bit and that curve as with 10-bit and no > curve... (And that statement adresses faders, which are much more > precisely controlable than foot pedals...) > > Stefan > > -- > Stefan Tiedje------------x------- > --_____-----------|-------------- > --(_|_ ----|\-----|-----()------- > -- _|_)----|-----()-------------- > ----------()--------www.ccmix.com > > ---------------------------------------------------------------- This message was sent using IMP, the Internet Messaging Program.