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My boss actually thinks that keys have inherent moods, and would agree that D minor is the saddest of all keys. --Josh Chris Smart wrote: > Well, I'm going to be the exception here it sounds like, and say that > equal temperament is very important to me! The more I play music > (guitar) the more my perfect pitch gets annoying. For example, I have > real difficulties learning a tune in one key, then transposing it to > another, because I have learned the "pitches" involved and expect to > hear them, for example, at the start of the melody. > > I would actually be very interested in hearing, say, the Bach > well-tempered clavier pieces as they were intended, on a well-tempered > instrument. > > Another random musing: Although all keys are supposed to be equal in > equal temperament, I still have my favorites... I can only think that > this is because of emotional attachments to songs that are in these > keys, than because of some emotive effect particular to the key. Of > course, D minor is the saddest of all keys ... :) > > Chris > >