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On 21 jul 2007, at 23.42, Rainer Thelonius Balthasar Straschill wrote: > I'm currently doing first attempts in doing a loop-based sound > installation: > What I'm trying to do is a setup with several microphones, speakers > and > loopers. > The microphones feed the loopers (which are set to feedback=0 in a > first > try), the loopers feed the speakers. > > Did anyone of you gather experiences with this kind of thing? > Especially > with regard to controlling signal levels and fighting feedback in a > computer-based installation? > > Rainer Since you work with microphones I can give one advice, emanating from my own mistakes in the past ;-) Watch out with standing resonance peaks in the room! It won't be dangerous if you stick with "feedback = 0" but if using a little more feedback it might bring some unpleasant surprises after a couple of hours installation time. I once put up two tape recorders with a five meter tape loop at a friends sculpture exhibition. A hidden microphone captured sounds at the entrance of the venue, one tape machine recorded it and it was transported along the tape loop to the second machine that played it back over a speaker. When it came back with the tape loop to the first machine it was not erased, rather overdubbed with new sound layers (type "feedback = 95"). It all worked fine at the morning of the opening day. However, after four hours a ghostlike scream started howling from the looping installation. I wasn't there so the owner of the venue had to unplug it because it scared the shit out of people that came to enjoy art in sculpture. What had happened was that a certain frequency happened to get reflected more in that room (a standing resonance peak frequency) and with each new layer these frequencies began to take over, eating up all other sounds - until only this alien scream was left. Since then no one have asked me again to set up a complementary sound installation at an art gallery ;-) Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international)