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For Studio. Nevaton CM51. ( pricey, $1000 or so) It's a multipattern condenser with a medium sized diaphragm. (omni fig8 etc) Incredibly detailed, full sound with just a subtle hint high frequency lift. A large diaphragm condenser is never quite as good for off axis sounds, and while they can sound amazing, they're not all purpose. A small diaphragm gives more accurate response, especially off axis, but doesn't have the big sound. The Nevaton is Russian, but costs a bit more than the Octavas( which I have and like) and easily beats them for sound. Good on vocals(with pop filter of course). Amazing to use a pair to capture a drum kit. Sounds good even if you don't bother to position it. For Stage, and places you wouldn't risk a condenser. Sennheiser 421. Works for vocals much better than the SM58, you don't have to waste the mid eq on the mixer to get rid of the muddy 200Hz range. Has a variable high pass to remove lows if that's a problem. Works on a kick drum (good lf response and survives high sound pressure). One of the standard mics for use on a guitar cab. I've used one to record a whole drum kit, good enough for a demo. Cheaper Get an Octava for recording. For live I'd check out some sort of Sennheiser. andy butler Chris Sewell wrote: > what would it be? I'm thinking the Sputnik looks promising. Anyone try > this mic? Any better all in one's out there? > Thanks > C > >