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As Elliot Easton put it, "sustain is overrated". The quest for sustain via mass is certainly valid, as anyone who has played a mid 70's les Paul custom will attest to. But I think you can also loose dynamic range, as really heavy guitars, in my experience, seem to have more natural compression. But I gave up the desire to strap on a guitar that weighs more than eight pounds a while ago simple because my shoulder doesn't like it. Then there is coupling sustain, the kind you get from the interaction between a resonate instrument, and the amplifier's sound waves hitting it, which I place more value in as an electric guitarist, as that is where the magic happens with feedback. It's also harder to control and requires a certain amount of volume and proximity to the amplifier to make it work. A guitar I used to own and wish I still did was a PRS hollow body, one of the most comfortable and best sounding guitars I've ever owned, and it fed back beautifully, though because the pickups weren't potted, it had a tendency to be microphonic if moved too close to a loud amp. But for lower volume work and studio stuff it was phenomenal. I had the same problem with a pair of Duncan antiquity mini humbuckers I installed in my mahogany thineline tele, until I had them partially potted. Now they are still really lively sounding but less microphonic, when using overdrive. I actually love microphonic pickups, particularly in a semi hollow guitar because they seem to pick up more of the bodies resonance, even though they are more like to squeal. Some of those old supro and teisco pickups some fantastic, and you can talk in to them and announce your next tune!!! One of the instruments I will be using to demo at the looperlative Booth (booth 1653 Hall E) at NAMM, is a Cruztone Lap steel made here in Santa Cruz. It is amazing sounding with a Rick Turner made Rickenbacker style horseshoe pickup, and a Lollar P-90. It sustains like a pedal steel guitar. Its also a beast at about 14 pounds due to the combination of mahogany and aluminum construction, even on my knees it feels heavy. But the sustain, it's positively Nigel Tufnellian!!! Bill