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andy butler wrote: > > > Luca Formentini wrote about Gordius LG > >> I have been super happy to find that these allow me to play even in >> very silent environments ( recording together with acoustic >> instruments like cellos, violins, flutes...) and are both sensitive >> and solid. >> > > thanks for your input Luca. > > My impression was that the LG buttons are only silent if pressed and > released very slowly. I guess what you mean is that the loud click of a > stompbox type switch is absent. > For rhythmically precise use there's a definite click, especially on the > release of the button. This is confirmed by Xavier. He says that it > wasn't practical to change the mechanics of the switch. > > For an equivalent tap, it's actually a bit noisier than the fcb1010, > however luckily it's possible to use a somewhat lighter touch. Andy, sometimes during fast or complex passages, I have this mental disorder ( ;) ) which require that I gradually approach the board, place and rest my foot on a button till just the right time. IOW, I prefer buttons with a bit of initial resistance so I can do the 'foot resting' trick. The FCB buttons do allow this, but don't have a definite feel as to when they actually engage; always feels like having to really 'press' them. I also need certain stomp-actions, like pitch transposings, relatively brief at-a-time, where buttons with a click-resistance aren't too great. How would you describe the LG buttons relative to above? -- rgds, van Sinn