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I've found that when working with RC50, you need to be particularly conscious of fully depressing the record/play footswitch when ending the loop. In other words, the point of attack is not when you hit the top of the switch but when it is fully depressed. That may seem incredibly obvious, but I find that my loops are cleaner if I stay conscious of that. Ironically, though I found that awareness helpful when working with the RC20, I find the RC1 to be the most sensitive footswitch of them all. JF