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The reason I use a hex pickup in the neck position rather than a Roland GK-2-type bridge pickup is that I'm driving an octave divider pedal which bounces octaves less frequently when the signal is coming from the neck position. I always have the low E and A strings connected, and the top 4 strings are always connected. So the only crosstalk that can cause me problems is the D string bleeding heavily into the A string when I am in split more (octave divider on the lower 2 strings and guitar sound on the top 4). I agree with Matthias that a bridge-mounted hex pickup is better for hexaphonic distortion and synth tracking. But a neck-position one is better for an octave divider effect. On 8/5/08, Raul Bonell <raul.bonell@gmail.com> wrote: > how this would improve triggering for my oberheim matrix-100. was kim who > used to like the matrix?... ;-) > raul. > > 2008/8/5 Matthias Grob <matilists@atarde.com.br> > >> cross talk must be big, so it would not serve for polyphonic distortion >or >> attack dependent processing >> thats why the previous polypickups like Roland GK2 is small and near the >> bridge - where it has little bass >> thats why the good solution is piezo >> Rolfspuler.com is going to sell his separately, eventually... >> >> Matthias >> >> >> On 5 Aug 2008, at 11:40, Diatonis wrote: >> >> Thank you for finding this. >>> >>> I think it would also be great for spatialization in 5.1 or 3D. The >>> stereo mp3 did sound like each string was somewhat isolated. >>> >>> Stuart >>> Diatonis >>> http://www.diatonis.com/ >>> >>> Hi, >>>> >>>> I just noticed this guy that makes six output guitar >>>> pick-ups. Seems >>>> like a way more expensive option than buying a FireWire >>>> guitar or the >>>> Moog Guitar: >>>> >>>> >http://musicthing.blogspot.com/2008/08/six-output-pickups-for-stereo-guitars.html >>>> >>>> You should be able to use six loopers, one for each string. >>>> That would >>>> make the guitar + looper a new instrument that no one have >>>> yet played. >>>> Much less pedal tapping needed, as this looping instrument >>>> would be >>>> more like a piano, i.e. more options instantly available >>>> for direct >>>> playing. By playing the same note on a different string you >>>> overdub it >>>> into the next looper etc. He, he... playing that monster >>>> looper would >>>> demand more brain exercise than finger exercise ;-) >>>> >>>> Exciting stuff! I once used a MIDI guitar for looping >>>> samples set up >>>> as one sample per MIDI Channel and string, but with this >>>> pick-up you >>>> should be able to do it with real audio (which IMHO is cool >>>> with >>>> guitars). >>>> >>>> -- >>>> Greetings from Sweden >>>> >>>> Per Boysen >>>> www.boysen.se (Swedish) >>>> www.looproom.com (international) >>>> www.myspace.com/perboysen >>>> www.stockholm-athens.com >>>> >>> >>> >>> >>> >>> >>> >> > > > -- > The Playing Orchestra: http://www.telefonica.net/web2/tpo > Chain Tape Collective: http://www.ct-collective.com > TPO at myspace: http://www.myspace.com/theplayingorchestra > TPO at Jamendo: http://www.jamendo.com > -- Mark Smart http://cdbaby.com/cd/marksmart http://www.marksmart.net